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an image of the British public at play as if frozen in a Pathé News reel
celebrating the optimism and rediscovery of England and Englishness that accompanied the new Elizabethan era of the 1950s
I’m not sure if this is a portrait from life or Levenson’s imagined ideal
Greenham was an unusual painter in that his style remained completely consistent for his entire career
Golden Eagle, Victoria Embankment, London reserved an image of the BritishIn our Cecil Court Gallery
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